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Assistant Sound Editor

Reading
Posted 1 day ago
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What You'll Be Doing

  • Managing and organising incoming picture, sound, and production materials
  • Tracking picture versions, updates, and change notes to ensure everyone is working from the correct materials
  • Preparing and maintaining Pro Tools sessions using agreed workflows and templates
  • Importing and organising picture, audio, and supporting materials
  • Checking sync, timecode, file formats, and other technical requirements
  • Assembling production sound for Dialogue Editors
  • Supporting picture conforms and re-conforms following editorial changes
  • Preparing materials for Dialogue, ADR, Foley, Sound Effects, and Mix teams
  • Supporting recording sessions, reviews, and mixes where required
  • Assisting with basic editorial tasks under the direction of experienced Editors and Supervisors
  • Managing project media, file structures, metadata, and version information
  • Carrying out quality checks on sessions, media, and deliverables
  • Supporting exports, turnovers, archiving, and project delivery
  • Liaising with picture editorial, production, and sound teams and escalating any issues or missing materials

What We're Looking For

We're looking for someone who is technically curious, highly organised, and passionate about sound.

You'll Ideally Have

Reasons to use Rodeo

I’m in my final year doing Economics and I don’t know whether to apply for grad schemes now or do a masters first. What do you think?

Honest answer — it depends on where you want to end up. A lot of top grad schemes (Big 4, civil service, banking) don’t need a masters. Let’s look at the ones you’d be competitive for now, and we can decide if a masters actually adds anything.

Also worth knowing: most autumn 2026 applications are open now. Timing matters more than you think.

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Grad scheme, placement, apprenticeship? Not sure what you want yet — that's fine. Your agent talks it through with you and turns "I have no idea" into a shortlist.

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Graduate Consultant — 2026 Scheme

PwC·London, UK
£35,000/yr

Why you're a good match

Strong

Your economics background and your summer at a regional bank line up with what PwC looks for on the consulting scheme. Applications close in four weeks.

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It searches the market for you

Every day your agent scans the market matching roles against what actually matters to you, not just keywords on a CV.

Why you're a good match

You’ve got the grades and the economics background, and your bank internship is exactly the experience this scheme looks for. Apply soon — deadlines close within the month.

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Strong

Experience fit

Your summer at the bank plus your econometrics coursework map directly to the day-one responsibilities on this scheme — client modelling, market briefings, and deal support.

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Strong

Only hits

No noise. No "maybe this fits." Just roles with a clear explanation of why they're right — and where to focus when applying.

  • Working knowledge of Pro Tools and basic audio editing
  • An understanding of audio and post-production fundamentals, including file formats, sample rates, frame rates, and timecode
  • Strong file management and general IT skills
  • Excellent organisation and attention to detail
  • The ability to manage multiple tasks and work to deadlines
  • Clear communication skills and a collaborative approach
  • A genuine interest in sound and post-production for film, television, or games

Previous experience in sound post-production or a related environment would be advantageous, as would familiarity with tools such as Reaper, iZotope RX, or SoundMiner.

Knowledge of workflows involving ADR, Foley, sound effects, conforms, AAFs, EDLs, or production-sound metadata would also be beneficial.

Most importantly, we're looking for someone who is keen to learn, takes ownership of their work, and wants to build a career in sound post-production.

What You'll Bring

You'll be someone who:

  • Enjoys working as part of a team and supporting others
  • Is calm and methodical when solving problems
  • Has a strong eye for detail and accuracy
  • Is proactive and comfortable managing changing priorities
  • Is confident asking questions and raising issues when needed
  • Takes responsibility for seeing tasks through to completion
  • Is adaptable, reliable, and keen to develop new skills
  • Has a genuine passion for sound and the creative post-production process

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Why join Molinare?

What Do We Believe In At Molinare

  • Teamwork - Sharing skills and experiences whilst supporting each other, ensures excellence across all our projects.
  • Passion - We treat every project with respect and the time that it deserves.
  • Expertise - By embracing our creative background, we take risks that allow us to aim higher.
  • Talent - We nurture talent to grow and do something meaningful at Molinare, which raises the bar for all of us.
  • Inclusion - We expand our creativity, knowledge, and understanding when working with people from different backgrounds, cultures, and thinking styles.

We are committed to accessible hiring practices to ensure equal opportunities for all candidates. As part of our dedication to inclusivity, we welcome applicants to inform us if any amendments or accommodations are needed during the interview process to support their application. Your comfort and accessibility are important to us, and we are happy to make any necessary arrangements to facilitate your interview experience.

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Skills

Pro Tools
Audio Editing
File Management
Post-Production Fundamentals
Timecode
Sample Rates
Frame Rates
Reaper
iZotope RX
SoundMiner
ADR
Foley
AAF
EDL
Metadata Management
Quality Control

Location

Reading, England, United Kingdom

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