How your CV stacks up
Upload your CV to see how well it fits this job role
?%
Audio Engineer Opportunity
This is an exciting opportunity for an Audio Engineer to join a leading production team on a full-time, 12–16 week contract based in Brighton, starting September 2026. The role is ideal for candidates with approximately one year of experience as a Sound Assistant in TV factual post-production, looking to progress into a junior sound editor position. Applicants must be comfortable working in an office environment, with consideration given to those willing to travel. This position is not suitable for recent graduates or those who already hold a Junior Sound Editor credit.
Responsibilities
- Set up and manage Pro Tools sessions, including editing, track management, and importing AAFs
- Conform audio to picture changes and ensure seamless integration with video edits
- Apply EQ, compression, limiting, reverb, and noise reduction techniques as required
- Organize and manage audio assets using software such as Soundminer or BaseHead
- Design stereo soundscapes, ambience, and spot effects for factual TV content
- Collaborate with post-production teams to ensure smooth sound edit-to-mix handovers
- Maintain session organization and adhere to industry standards, including EBU R128 loudness guidelines
- Utilize sound effects libraries to enhance audio quality and storytelling
- Support the team with general post-production audio tasks as needed
Reasons to use Rodeo
Start with a chat, not a search bar
Grad scheme, placement, apprenticeship? Not sure what you want yet — that's fine. Your agent talks it through with you and turns "I have no idea" into a shortlist.
It searches the market for you
Every day your agent scans the market matching roles against what actually matters to you, not just keywords on a CV.
Only hits
No noise. No "maybe this fits." Just roles with a clear explanation of why they're right — and where to focus when applying.
Skills And Requirements
- Minimum one year of experience as a Sound Assistant in TV factual post-production
- Proficiency with Pro Tools for session setup, editing, and track management
- Strong understanding of EQ, compression, limiting, reverb, and noise reduction
- Experience with audio asset management tools such as Soundminer or BaseHead
- Demonstrated skills in stereo sound design, ambience, and spot effects
- Excellent session organization and attention to detail
- Knowledge of sound edit-to-mix handover practices and EBU R128 loudness standards (desirable)
- Natural history programming experience is a plus
- Ability to work full-time on-site in Brighton or willingness to travel
- Not open to recent graduates or those with Junior Sound Editor credits
Get help with your application
Your very own career expert that helps elevate your application to the next level.
About Twine
Twine is a leading freelance marketplace connecting top freelancers, consultants, and contractors with companies needing creative and tech expertise. Trusted by Fortune 500 companies and innovative startups alike, Twine enables companies to scale their teams globally.
Our Mission
Twine's mission is to empower creators and businesses to thrive in an AI-driven, freelance-first world.
“It took my CV and asked me questions relevant to understanding what kind of jobs to suggest for me. Suggestions were almost perfect. Jobs were exactly what I’ve been looking for.”
Jessica, London
Skills