Creed Media
Digital Strategy Manager

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Creed Media
One of the world's most successful music marketing agencies, with HQ in Stockholm, Sweden and a lean team of 30 exceptional people. After 8 years in business, we’ve executed +20 000 campaigns and generated +15 billion impressions. Client base spans all leading labels and music-adjacent tech platforms. Creator campaigns are the core product. Our goal is to become the undisputed #1 global agency.
The Role
You own a portfolio of accounts with full revenue responsibility. You carry a personal quarterly target, and you build your own pipeline. Your time is 100% commercial: pipeline, proposals, closing, and account growth. You lead strategy on priority campaigns, and while you work closely with Campaign Managers, you bear no personnel responsibility.
The goal with the role is to become the person labels call when they have a release that matters and need someone who understands what's actually happening on the platforms better than their internal teams do. You report to the CCO and work alongside a team of campaign managers who need someone who sets the bar for what great looks like. Not through training sessions. Through how you work.
Who You Are
- You have deep cultural fluency in music communities across TikTok and Instagram.
- You don't just know that sub-niches exist. You know how they behave differently, how they activate differently, and why a strategy that works in one community doesn't automatically work in another.
- You can look at a sound page and read it. You know whether a community is forming or scattered, whether organic adoption is real or manufactured, and what to do about either. You've done this enough times that it's pattern recognition, not analysis.
- You understand that creator marketing for music is different from influencer marketing. Recognizing the distinction between purchasing reach and programming a sound into a platform's recommendation engine is key. You've also built campaigns that led to organic adoption and know precisely what steps you took to achieve that.
- When label clients push you toward something the data doesn't support, you push back with specifics. You sell through knowledge, not through decks.
Reasons to use Rodeo
I’m in my final year doing Economics and I don’t know whether to apply for grad schemes now or do a masters first. What do you think?
Honest answer — it depends on where you want to end up. A lot of top grad schemes (Big 4, civil service, banking) don’t need a masters. Let’s look at the ones you’d be competitive for now, and we can decide if a masters actually adds anything.
Also worth knowing: most autumn 2026 applications are open now. Timing matters more than you think.
Start with a chat, not a search bar
Grad scheme, placement, apprenticeship? Not sure what you want yet — that's fine. Your agent talks it through with you and turns "I have no idea" into a shortlist.
Graduate Consultant — 2026 Scheme
Why you're a good match
StrongYour economics background and your summer at a regional bank line up with what PwC looks for on the consulting scheme. Applications close in four weeks.
See breakdownIt searches the market for you
Every day your agent scans the market matching roles against what actually matters to you, not just keywords on a CV.
Why you're a good match
You’ve got the grades and the economics background, and your bank internship is exactly the experience this scheme looks for. Apply soon — deadlines close within the month.
Experience fit
Your summer at the bank plus your econometrics coursework map directly to the day-one responsibilities on this scheme — client modelling, market briefings, and deal support.
Only hits
No noise. No "maybe this fits." Just roles with a clear explanation of why they're right — and where to focus when applying.
Key Responsibilities
- Own accounts with individual revenue targets.
- Lead proposals end-to-end: scope, price, frame, and present and develop mid-tier accounts into key accounts over time.
- Build personal relationships with key stakeholders to expand your book of business.
- Lead strategy on high-priority campaigns.
- Build and maintain a healthy pipeline through methodical outreach; drive renewals, upsells, and extensions.
- Influence commercial strategy, pricing, and deal structuring for complex engagements.
- Surface cross-account insights that shape Creed's commercial direction and go-to-market decisions.
Qualifications
- At least 2 years of personally planning and executing creator campaigns for music releases.
- Deep cultural fluency in music communities across TikTok and Instagram.
- Deep working knowledge of the creator ecosystem: volume creators, edit pages, loop pages, thematic pages, clipping. Not traditional influencer buys.
- Experience reading and acting on streaming data: save rates, source of streams, Shazam patterns, playlist placement.
- Strong label relationships: You know the people at Warner, Sony, Universal, and independents who make buying decisions.
- Experience presenting strategy to label clients and earning trust through expertise.
- Comfortable working across multiple markets and territories.
- Experience working with record labels and/or artist management teams.
- Some experience structuring complex deals, pricing models, multi-phase engagements, and partnership frameworks.
- Deep expertise in a specific genre, market vertical, or platform (TikTok, META, Spotify).
- Background in agency-side commercial leadership or business development.
- Understanding of music industry dynamics: label structures, release strategies, music release cycles, and artist development cycles.
- Native or fluent English speaker.


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Location
This role is currently fully remote, with the option to use local co-working spaces in the future. We are hiring across major hubs, including Stockholm, London, Los Angeles, New York, and Toronto, and also offer the option to work remotely from other US cities. If your city is not on the list below, choose the closest one.
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