Story House Productions
Freelance Camera Operator

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We are seeking an experienced camera operator - ideally with a background in live-streaming - to cover a series of top-level school rugby matches from September to December 2026. This is a recurring opportunity with potential for continued work into 2027.
The Role
You will join a 4-person broadcast team consisting of an off-site graphics producer, a commentator, and two on-site camera operators filming from a scaffold tower.
Responsibilities
- Wide-Angle & Live Mix: Operate the wide-angle camera while live-mixing between your feed and the tight-shot (provided by the other cam op) using a battery-powered switcher.
- Transmission: Send the final mixed feed to the off-site producer via a LiveU unit (4 bonded connections).
Reasons to use Rodeo
I’m in my final year doing Economics and I don’t know whether to apply for grad schemes now or do a masters first. What do you think?
Honest answer — it depends on where you want to end up. A lot of top grad schemes (Big 4, civil service, banking) don’t need a masters. Let’s look at the ones you’d be competitive for now, and we can decide if a masters actually adds anything.
Also worth knowing: most autumn 2026 applications are open now. Timing matters more than you think.
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Graduate Consultant — 2026 Scheme
Why you're a good match
StrongYour economics background and your summer at a regional bank line up with what PwC looks for on the consulting scheme. Applications close in four weeks.
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Why you're a good match
You’ve got the grades and the economics background, and your bank internship is exactly the experience this scheme looks for. Apply soon — deadlines close within the month.
Experience fit
Your summer at the bank plus your econometrics coursework map directly to the day-one responsibilities on this scheme — client modelling, market briefings, and deal support.
Only hits
No noise. No "maybe this fits." Just roles with a clear explanation of why they're right — and where to focus when applying.
Dates & Locations
Due to the locations of the venues, the applicant needs to be in the South of England, preferably around Swindon/Reading/Oxford areas.
- 12/09, Croydon @ 1430
- 20/09, Bristol @ 1200
- 24/09, Coventry @ 1800
- 03/10, Taunton @ 1430
- 10/10, Glastonbury @ 1430
- 24/10, London @ All day
- 25/10, London @ All day
- 07/10, Croydon @ 1115
- 18/11, Coventry @ 1800
- 21/11, Guildford @ 1330
- 28/11, Bristol @ 1415
- 02/12, Glastonbury @ 1415
- 05/12, Croydon @ 1030
- 08/12, Bristol @ TBC
All timings are subject to change.
Schedule & Logistics
- Match Duration: 70 minutes (plus half-time).
- Call Time: Call times are somewhat flexible, but we typically schedule 3 hours for setup. This allows adequate time to haul equipment up the scaffold tower, construct the rig, and apply necessary weather-proofing before kick-off.
- Travel: You must have your own vehicle and be able to get yourself to the venue(s).


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Equipment
All equipment can be provided, but to give you an idea of what is used:
- 2 x camcorders, like the Panasonic CX350
- 2 x tripod
- 1 x Atomos Shogun switcher
- 1 x shotgun microphone for ambient audio
- 1 x LiveU to distribute the stream
- Earphones, to talk to the off-site producer
Pay
Will be in the region of £250 - £350 per game, depending on experience and travel distances. We are also open to adjusting this if you provide your own equipment.
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