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Untold Fable

Junior Motion Graphics Editor

London
Posted about 18 hours ago
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Untold Fable

Untold Fable is a global content production company challenging the way things are done to change them for the better. It’s not an easy road, but we’re not here for that. We’re here to make diversity in our industry the norm, not the exception; we’re here to work in completely new ways and to show how purpose and commercial success go hand in hand. This mission, coupled with our creative and production expertise, has cemented relationships with the world’s biggest brands, from Nike and Meta to Stella Artois and Bumble. Our varied projects will immerse you in diverse and fascinating subjects. So far we’ve delved into fitness, female health, film, finance, food, dating, education, music, alcohol.

Everything we want for our industry is reflected in Untold Fable itself. We support and champion each other internally as much as the production talent we commission. We foster an empowered culture where different people and perspectives can thrive at every stage of their careers; open minds are welcome, egos are not. We operate a hybrid, flexible working model, coming together in our amazing office in Clerkenwell, London, 2 days per week.

Responsibilities

  • Post-production work across a range of assets, including offline editing, colour correction, audio levelling, simple motion GFX, design, onlining, reversioning for various aspect ratios, subtitling.
  • Work with existing brand guidelines to create polished, consistent graphics.
  • Develop titles, transitions, lower thirds, supers, end frames and other motion assets.
  • Take ownership of Hard Drive system, developing an encyclopedic knowledge of the whereabouts of each HDD, maintaining the HDD log, backing up and ensuring Producers have HDDs for shoots as required.
  • LTO back ups, syncing footage, hard drive management and general departmental duties to uphold and improve the running of the Post Production department.
  • Develop a strong understanding of codecs, frame rates, resolutions, colour spaces and export settings.
  • Organise project files and assets clearly and efficiently.
  • Maintaining a good, up-to-date knowledge of editing trends across social output. Research new tools, plugins and workflows that could improve the team's output.
  • Build your knowledge of AI and emerging technologies relevant to motion and post-production.
  • Work collaboratively with the production and creative teams.
  • Occasionally attend shoots and acting as DIT on set.
  • Develop your understanding of more advanced animation techniques, upskilling through research and tutorials.
  • Championing UF’s diverse network of talent, with direct involvement in shortlisting freelance post-production roles when required.

Reasons to use Rodeo

I’m in my final year doing Economics and I don’t know whether to apply for grad schemes now or do a masters first. What do you think?

Honest answer — it depends on where you want to end up. A lot of top grad schemes (Big 4, civil service, banking) don’t need a masters. Let’s look at the ones you’d be competitive for now, and we can decide if a masters actually adds anything.

Also worth knowing: most autumn 2026 applications are open now. Timing matters more than you think.

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Grad scheme, placement, apprenticeship? Not sure what you want yet — that's fine. Your agent talks it through with you and turns "I have no idea" into a shortlist.

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Graduate Consultant — 2026 Scheme

PwC·London, UK
£35,000/yr

Why you're a good match

Strong

Your economics background and your summer at a regional bank line up with what PwC looks for on the consulting scheme. Applications close in four weeks.

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It searches the market for you

Every day your agent scans the market matching roles against what actually matters to you, not just keywords on a CV.

Why you're a good match

You’ve got the grades and the economics background, and your bank internship is exactly the experience this scheme looks for. Apply soon — deadlines close within the month.

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Strong

Experience fit

Your summer at the bank plus your econometrics coursework map directly to the day-one responsibilities on this scheme — client modelling, market briefings, and deal support.

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Strong

Only hits

No noise. No "maybe this fits." Just roles with a clear explanation of why they're right — and where to focus when applying.

Your skills

  • Has some experience with editing and motion graphics, be it through university, creating your own content, or working professionally. You will need to talk us through your work at interview stage.
  • Is proficient with Adobe Premiere and AfterEffects.
  • Understanding of basic animation and motion principles.
  • A good eye for typography, composition, timing and visual detail.
  • A positive, collaborative attitude.
  • A genuine interest in motion graphics, editing and visual storytelling, plus knowledge of emerging AI tools for image, video and motion creation.
  • Has a good up to date knowledge of shooting formats and post-production workflows.
  • Has experience delivering short-form content, particularly social first branded content.
  • Has a good understanding of appropriate editing styles for different genres of output: influencer led, documentary, scripted etc.
  • Has a commitment to our diversity mission, and a desire to work with talent that you haven’t worked with before.
  • Ability to take ownership of your own development and actively seek opportunities to learn from more experienced members of the team.

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Desirable experience or interests

  • A background or experience in design would be a bonus, Ability to work in Photoshop, Illustrator and Figma is desirable.
  • An interest in how AI and emerging creative tools can enhance motion graphics and editing workflows. You should be curious about new technologies and keen to explore how they can be applied to make creative processes more efficient, streamline repetitive tasks and support high-quality creative output.
  • Someone who enjoys experimenting with new tools and finding practical ways to integrate them into existing motion design and post-production workflows, while keeping creative judgement and craft at the heart of the work.
  • Has an understanding of the ways in which different post production processes impact budgets.

Working at Untold Fable

  • Life insurance
  • Income protection
  • Flexible working
  • Wellbeing coaching
  • Referral scheme
  • Season ticket loans
  • Pension contribution scheme
  • Enhanced parental leave
  • Dependency leave
  • Cycle to work scheme
  • Medical insurance

The recruitment process

  1. Submit a copy of your CV, Cover Letter and showreel
  2. A video interview with Senior Editor and Motion GFX Editor.
  3. A face-to-face interview with the Head of Creative, Head of Production and Senior Editor to present a project you’ve worked on previously.
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Location

London, England, United Kingdom

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