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Line Producer
Job Title - Line Producer
Provisional date(s) - 05-10-2026 To 21-06-2027
Closes - 05-10-2026
Location - London
NOW HIRING: AFTER PARTY STUDIOS x VIC ROYE TALENT
ROLE: LINE PRODUCER
PROJECT: NEW FOOTBALL SERIES
LOCATION: LONDON
START: 12 OCTOBER – 37 WEEKS (TBC – SUBJECT TO GREENLIGHT)
After Party Studios is crewing up for a fast-turnaround football documentary series and we're looking for an experienced Line Producer to join the team.
This is a busy production with lots of moving parts, so we need someone who is brilliant across the detail, can keep everything on track and is comfortable working at pace as schedules and stories evolve.
Reasons to use Rodeo
I’m in my final year doing Economics and I don’t know whether to apply for grad schemes now or do a masters first. What do you think?
Honest answer — it depends on where you want to end up. A lot of top grad schemes (Big 4, civil service, banking) don’t need a masters. Let’s look at the ones you’d be competitive for now, and we can decide if a masters actually adds anything.
Also worth knowing: most autumn 2026 applications are open now. Timing matters more than you think.
Start with a chat, not a search bar
Grad scheme, placement, apprenticeship? Not sure what you want yet — that's fine. Your agent talks it through with you and turns "I have no idea" into a shortlist.
Graduate Consultant — 2026 Scheme
Why you're a good match
StrongYour economics background and your summer at a regional bank line up with what PwC looks for on the consulting scheme. Applications close in four weeks.
See breakdownIt searches the market for you
Every day your agent scans the market matching roles against what actually matters to you, not just keywords on a CV.
Why you're a good match
You’ve got the grades and the economics background, and your bank internship is exactly the experience this scheme looks for. Apply soon — deadlines close within the month.
Experience fit
Your summer at the bank plus your econometrics coursework map directly to the day-one responsibilities on this scheme — client modelling, market briefings, and deal support.
Only hits
No noise. No "maybe this fits." Just roles with a clear explanation of why they're right — and where to focus when applying.
You'll be working closely with the editorial and production teams, overseeing budgets, schedules, logistics and shoots across a long production period.
WE'RE LOOKING FOR SOMEONE WHO:
- Has strong Line Producer credits across documentary, factual entertainment or similarly fast-moving productions
- Streamer credits are a real advantage
- Is confident managing budgets, schedules and production logistics
- Has experience overseeing multiple shoots and crews
- Is brilliant at forward planning but equally calm when plans inevitably change
- Can work closely with editorial to find practical solutions without losing sight of the ambition of the series
- Is confident managing a production team and keeping communication clear across a busy production
- Experience of sports or football programming would be a bonus, but isn't essential


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As always, we particularly welcome applications from people from groups currently underrepresented in the television industry. If you meet most, but not every single requirement, please don't let that stop you applying.
Please let us know if you require any reasonable adjustments or assistance at any stage of the process.
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