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White Cube

Post-Production Technician/Image Retoucher (12 Months - Maternity Cover)

City of London
Posted about 18 hours ago
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Post-Production Technician/Image Retoucher (Maternity Cover)

Reporting to:

Associate Director, Photography

Working hours:

10.00am - 6.00pm, Monday to Friday

Location:

White Cube Bermondsey

Employment Type:

Fixed Term (12 Months - Maternity Cover), Full Time

Summary

As Post-Production Technician, you will support the delivery of high-quality artwork imagery across the gallery’s archive, sales, marketing, digital and publication channels during a fixed-term maternity cover period. Working closely with the Photography team, you will retouch and prepare digital files to established standards, ensuring faithful colour, texture, scale and surface representation of artworks. The role requires a highly accurate, conservation-minded approach to image production, with an emphasis on consistency, efficiency and timely delivery across a high-volume workflow.

Responsibilities

  • Artwork image retouching: Carry out precise, non-destructive retouching of Fine Art artwork imagery in line with gallery standards and photographer guidance, ensuring faithful colour, texture, scale and surface representation.
  • Capture-related corrections: Remove photographic or production artefacts such as dust, background marks, sensor spots, lighting inconsistencies and minor capture issues, while preserving the integrity and material character of the artwork.
  • Compositing and file preparation: Composite multiple captures where required, including exposure blends, stitched details, background extensions or complex installation views, while maintaining visual accuracy and consistency.
  • Colour management: Apply strong colour-management practice across the post-production workflow, including ICC profiles, colour spaces and troubleshooting profile-related issues to ensure accurate, consistent output for print and digital use.
  • Workflow efficiency: Create and use batch-processing workflows, Photoshop Actions and repeatable production methods to support efficient, consistent image delivery across a high-volume workload.
  • Quality control: Undertake quality-control checks before delivery, including colour accuracy, crop, dust removal, file naming, resolution, profile assignment and output suitability.
  • Post-production delivery: Utilise Adobe Creative Cloud apps to edit and prepare digital images for archive, print, online, sales and marketing use, ensuring consistency in image quality and style across all platforms.
  • Workflow standards: Follow established photography and post-production standards, including file naming, categorisation, metadata, colour workflow, quality control and archive readiness.
  • Cross-team collaboration: Work in close collaboration with staff photographers, Publications, Digital, Communications and Sales teams to ensure high-quality images are reproduced and used consistently across all channels.
  • Technical support: Assist with and provide technical guidance on more complex image requests from Communications, Sales and Photography teams, helping to resolve production challenges efficiently and to agreed standards.
  • Publications and repro support: Work closely with the Publications team on repro projects as and when required, including processing and proofing client-supplied imagery, identifying and carrying out retouching, and assisting with final colour checks before files are sent to print.
  • Project and deadline management: Prioritise and manage multiple projects simultaneously, ensuring timely delivery of high-quality images for archive, publication, digital, social, sales and marketing requirements.
  • Continuous improvement: Explore and implement new techniques, standards and best practice to streamline the post-production workflow, improve efficiency and maintain quality across the image pipeline.
  • Ad-hoc image editing: Carry out additional image-editing duties as required by the line manager, in line with gallery priorities and agreed production standards.

Reasons to use Rodeo

I’m in my final year doing Economics and I don’t know whether to apply for grad schemes now or do a masters first. What do you think?

Honest answer — it depends on where you want to end up. A lot of top grad schemes (Big 4, civil service, banking) don’t need a masters. Let’s look at the ones you’d be competitive for now, and we can decide if a masters actually adds anything.

Also worth knowing: most autumn 2026 applications are open now. Timing matters more than you think.

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Grad scheme, placement, apprenticeship? Not sure what you want yet — that's fine. Your agent talks it through with you and turns "I have no idea" into a shortlist.

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Graduate Consultant — 2026 Scheme

PwC·London, UK
£35,000/yr

Why you're a good match

Strong

Your economics background and your summer at a regional bank line up with what PwC looks for on the consulting scheme. Applications close in four weeks.

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It searches the market for you

Every day your agent scans the market matching roles against what actually matters to you, not just keywords on a CV.

Why you're a good match

You’ve got the grades and the economics background, and your bank internship is exactly the experience this scheme looks for. Apply soon — deadlines close within the month.

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Strong

Experience fit

Your summer at the bank plus your econometrics coursework map directly to the day-one responsibilities on this scheme — client modelling, market briefings, and deal support.

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Only hits

No noise. No "maybe this fits." Just roles with a clear explanation of why they're right — and where to focus when applying.

Qualifications

  • Proven experience as a Post-Production Technician, Image Retoucher or similar role, preferably within an art-related, cultural, publishing, museum, gallery or creative production environment.
  • Highly advanced skills in Adobe Photoshop and the wider Adobe Creative Cloud suite, with a working knowledge of Capture One.
  • Strong knowledge of artwork retouching, colour correction, non-destructive Photoshop workflows, ICC profiles, colour spaces, digital image file formats and output requirements for print and digital use.
  • Excellent attention to detail, with the ability to maintain high levels of consistency, accuracy and quality across multiple projects and image types.
  • Strong organisational skills and the ability to manage and prioritise multiple projects in a fast-paced, deadline-driven environment.
  • Able to work confidently within established workflows, manage competing deadlines and maintain consistent output during a fixed-term maternity cover period.
  • Strong communication and collaboration skills, with the ability to work effectively with photographers and cross-functional teams.
  • A careful visual eye, strong sensitivity to artwork reproduction and an understanding of how high-quality imagery supports archive, sales, publication, digital and client-facing presentation.
  • Ability to adapt quickly to changing project requirements and embrace new technologies, tools and techniques that improve post-production efficiency while maintaining quality.

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This application will close on Friday 2nd October at 5:30pm and we reserve the right to close this vacancy early if we receive sufficient applications.

(Please note we are currently unable to offer sponsorship, nor guarantee future sponsorship opportunities, for this role)

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Location

City of London, England, United Kingdom

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