Crazy Peach Art Foundation
Show Host Interviewer

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Who We Are
Crazy Peach Art Foundation is a London-based arts organization supporting speculative, philosophical, and critical artists through funding, networks, and platforms. At our core is a simple conviction: art exists to question authority — to give misfits, deep thinkers, and uncomfortable ideas a real platform. We’re building our media presence around conversations with artists — and we’re inviting you to be the face of it.
The Proposed Role
Onset — Interview show host
- Recorded conversations with London-based artists (UAL/RCA backgrounds and established practicing artists)
- One to two episodes per month, batch-recorded and scheduled at least two weeks ahead
- Each episode covers guest research, question preparation, hosting the recording, and remotely guiding your guest through a simple self-filming setup beforehand — a phone is fine; what matters is your eye for framing and light, not equipment experience
- Interviews are in English
The Growth Path — YouTube Channel presenter
- For the right person — and this proposal means we think that’s you — the role grows into presenting our YouTube channel
- We provide the scripts and full editing; you bring the delivery, adapting the material to your own voice, personality, and sense of what the audience responds to
- Typically one episode per month — per episode that’s around 30–60 minutes reading the script and making it yours, 15 minutes of set-up, and a 45-minute recording
- Episodes are presented in English
What we provide
- Scripts, research, and topic development
- Full production and editing
- The platform, channel operations, and community management
- Public on-screen credit on every episode you present
- You focus on the part only you can do: being great on camera
Reasons to use Rodeo
I’m in my final year doing Economics and I don’t know whether to apply for grad schemes now or do a masters first. What do you think?
Honest answer — it depends on where you want to end up. A lot of top grad schemes (Big 4, civil service, banking) don’t need a masters. Let’s look at the ones you’d be competitive for now, and we can decide if a masters actually adds anything.
Also worth knowing: most autumn 2026 applications are open now. Timing matters more than you think.
Start with a chat, not a search bar
Grad scheme, placement, apprenticeship? Not sure what you want yet — that's fine. Your agent talks it through with you and turns "I have no idea" into a shortlist.
Graduate Consultant — 2026 Scheme
Why you're a good match
StrongYour economics background and your summer at a regional bank line up with what PwC looks for on the consulting scheme. Applications close in four weeks.
See breakdownIt searches the market for you
Every day your agent scans the market matching roles against what actually matters to you, not just keywords on a CV.
Why you're a good match
You’ve got the grades and the economics background, and your bank internship is exactly the experience this scheme looks for. Apply soon — deadlines close within the month.
Experience fit
Your summer at the bank plus your econometrics coursework map directly to the day-one responsibilities on this scheme — client modelling, market briefings, and deal support.
Only hits
No noise. No "maybe this fits." Just roles with a clear explanation of why they're right — and where to focus when applying.
Compensation
Interview show
- £[80–100] per episode, settled per episode against your invoice (or the compliant equivalent for your working status)
Script adaptation
- Making the script your own is part of the role — the reading and light editing (30–60 minutes per episode) is simply part of presenting
- When an episode calls for a substantial rewrite beyond that, it’s paid work: £[13–15] per hour against the time it takes, with the scope agreed between us beforehand
YouTube presenting
- There is no per-episode fee at this stage — we want to be straightforward about that
- Instead, you receive a revenue share of [X]% on the episodes you present, fixed in writing in the contract, applying as the channel monetizes
- To be equally straightforward about how it works: the share runs while you’re an active host under the agreement and ends when the hosting engagement ends — it’s a stake in an ongoing collaboration we build together, not a permanent royalty
- Everything accrued up to that point is, of course, paid out
- This is a long-term arrangement: we’re offering a growing stake in something we front together, plus the platform and public profile that come with it
The shared agreement — designed to protect both sides
- A 12-month initial term with a [2–3]-month notice period, binding on both of us
- Neither side can be dropped — or walked out on — overnight
- Your slot, and our schedule, are both protected
- The contract includes a pre-agreed option to extend for a further 12 months on terms fixed upfront — including a cap on any rate adjustment — so even year two holds no surprises
- A gentle start: the first [2–3] episodes work as a mutual trial period with a simple break clause for either side — if it isn’t the right fit, we both find out early and part easily
- Your rates and your revenue-share percentage are fixed in writing for the term
- They cannot be reduced or renegotiated mid-term
- Renewal terms are agreed upfront, so there are no surprises later
- Guaranteed payment terms for episode fees, in the contract
- Exclusivity, scoped to our lane only
- While we work together, your hosting is exclusive to Crazy Peach within our territory: you won’t present artist-interview or art-commentary content for other channels or organizations during the term
- Everything outside that lane stays entirely yours — other jobs, projects, acting, collaborations, your own practice — unaffected
- When the engagement ends, so does the exclusivity
- Content and format belong to the foundation
- As with any produced show where the production company provides the scripts, editing, and platform, the episodes and show format are foundation property and remain published
- Your contribution is permanently credited on screen


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What we’re looking for from you
- Commitment to the run
- The show is built on pre-booked batch recordings and a consistent on-screen presence, and we’re investing production, platform, and audience-building around you
- We’re looking for someone who wants to grow with this over the 12-month term and beyond — not a few episodes and out
Next steps
- We discuss and agree the revenue-share percentage and any details together
- Our solicitor prepares the agreement reflecting exactly what we’ve agreed
- You review it (take your time, seek advice if you wish) and we sign
- We book the first batch recording
- We’re excited about this. Any questions — ask us anything
Glendon
Founder, Crazy Peach Art Foundation
“It took my CV and asked me questions relevant to understanding what kind of jobs to suggest for me. Suggestions were almost perfect. Jobs were exactly what I’ve been looking for.”
Jessica, London
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