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Creative Director, Brand Worlds

London
Posted about 10 hours ago
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About Flightstory

We are a media and investment company, and we are on a mission to elevate the stories, build the communities, and support the founders that inspire a happier, healthier humanity. We scale creator-led media, ventures and communities.

ROLE MISSION

FlightStory builds creator-led brand worlds. Right now that’s The Diary of a CEO, Hot Smart Rich, Begin Again, We Need To Talk, The Line, with a pipeline of creator media brands coming in. Each one needs a visual language so distinctive and recognisable that it compounds the media brand’s growth.

Our mission is to scale what is irreplaceably human. We’re romantic about the mission but we are unromantic about how we get there.

KEY OUTCOMES

The Creative Director translates FlightStory’s creator media brands into a visual language that creates an unmistakable on-brand experience across every touchpoint, every team, and every piece of work that leaves this building.

  • You report into the Brand Strategy Director who is responsible for the creator media brand’s origin, brand strategy, and brand world brief.
  • You take that brief and make it come to life in the world.
  • We want someone who brings their own ideas and pushes back on ours. Not someone who nods and executes.

CORE COMPETENCIES

  • Lead the visual identity work for all new FlightStory media brands that brings the brand worlds to life across every single touchpoint, partnering with the Brand Strategy Director to translate the ‘what and who’ the brand is, into the ‘how’ the brand comes to life.
  • Build living brand playbooks that every team can actually work from. Not a 40-page PDF that lives in a folder no one opens.
  • Champion the AI and self-serve infrastructure that removes low-complexity work from the design team’s plate entirely. Templates, brand-trained models, the lot.
  • Develop and lead the Designers (Senior to Midweight) across the new media brands, and partnering with the Brand Strategy Director on how we scale the Brand World Studio.
  • Be genuinely curious about culture, not just design. You model the behaviour, to always be looking for inspiration outside of competitors and brand work.

Reasons to use Rodeo

I’m in my final year doing Economics and I don’t know whether to apply for grad schemes now or do a masters first. What do you think?

Honest answer — it depends on where you want to end up. A lot of top grad schemes (Big 4, civil service, banking) don’t need a masters. Let’s look at the ones you’d be competitive for now, and we can decide if a masters actually adds anything.

Also worth knowing: most autumn 2026 applications are open now. Timing matters more than you think.

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Grad scheme, placement, apprenticeship? Not sure what you want yet — that's fine. Your agent talks it through with you and turns "I have no idea" into a shortlist.

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Graduate Consultant — 2026 Scheme

PwC·London, UK
£35,000/yr

Why you're a good match

Strong

Your economics background and your summer at a regional bank line up with what PwC looks for on the consulting scheme. Applications close in four weeks.

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It searches the market for you

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Why you're a good match

You’ve got the grades and the economics background, and your bank internship is exactly the experience this scheme looks for. Apply soon — deadlines close within the month.

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Strong

Experience fit

Your summer at the bank plus your econometrics coursework map directly to the day-one responsibilities on this scheme — client modelling, market briefings, and deal support.

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Only hits

No noise. No "maybe this fits." Just roles with a clear explanation of why they're right — and where to focus when applying.

YOU’LL THRIVE HERE IF

You’re a creative leader with an obsession for creating things that people genuinely want to spend time with. You’re also open-minded, curious, and excited to explore ideas that others’ have. This is what we mean in practice:

  • You have your own ideas and you’ll push back when something isn’t right.
  • You might have come up through brand design at a creative agency. Or you might have been the in-house CD who built a creative platform for an artist or creator from scratch from the ground up. Or you could be a curious magpie who ended up in design because you couldn’t stop noticing things.

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IDEAL BACKGROUND

  • Where others see a brand, you see a world. What it sounds like, feels like, what it would never do. You don’t start from the logo.
  • Where others collect references on Pinterest, you’ve been down a rabbit hole about the design of Tokyo vending machines, or the visual language of 90s rave flyers, or why certain fonts feel like a specific decade.
  • Where others wait to be briefed, you show up with a perspective already formed. You’ve been thinking about this media brand since the last meeting ended.
  • You understand that the creator is the brief. You can sit with someone, find the thing they care about most, and translate it into a visual language.
  • You’ve worked out how to use AI as a taste amplifier, not a shortcut. You know that speed is no longer the superpower, but knowing what good looks like is.
  • You’re not precious about your ideas. You like the back and forth. You find it genuinely energising when someone challenges you to make something better.
  • You love killing the guesswork, using data to push your creative limits (you’re all in on experimentation).
  • You have experience working with creators, talent, high profile individuals or brands
  • You have significant creative leadership experience. Your portfolio shows the thinking, not just the output. We want to understand how you got there.
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Skills

Creative Leadership
Visual Identity
Brand Strategy
Design
Collaboration
Cultural Curiosity
AI Utilization
Data Analysis
Team Development
Brand Playbooks
Inspiration
Creative Problem Solving
Communication
Experimentation
Creative Direction
Community Building

Location

London, England, United Kingdom

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