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Sculpture
About
Jasmine Bradbury’s work delves into the unconscious mind, exploring how life’s internalised experiences are uniquely expressed externally. She views her sculptures as a language to interpret and respond to the complexities of the inner self. Using the human form and natural objects as starting points, Bradbury abstracts these forms and sculpts in clay or plaster, which are then moulded and cast in various materials. Utilising lost wax casting methods, she casts in lead, bronze and aluminium, as well as cold-cast metals.
Since graduating with a first in BA Fine Art, NUA in 2015, she has worked in bronze casting foundries and set up her own mould-making and casting business, collaborating with established sculptors, and deepening her exploration of sculpture.
Reasons to use Rodeo
I’m in my final year doing Economics and I don’t know whether to apply for grad schemes now or do a masters first. What do you think?
Honest answer — it depends on where you want to end up. A lot of top grad schemes (Big 4, civil service, banking) don’t need a masters. Let’s look at the ones you’d be competitive for now, and we can decide if a masters actually adds anything.
Also worth knowing: most autumn 2026 applications are open now. Timing matters more than you think.
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Graduate Consultant — 2026 Scheme
Why you're a good match
StrongYour economics background and your summer at a regional bank line up with what PwC looks for on the consulting scheme. Applications close in four weeks.
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Why you're a good match
You’ve got the grades and the economics background, and your bank internship is exactly the experience this scheme looks for. Apply soon — deadlines close within the month.
Experience fit
Your summer at the bank plus your econometrics coursework map directly to the day-one responsibilities on this scheme — client modelling, market briefings, and deal support.
Only hits
No noise. No "maybe this fits." Just roles with a clear explanation of why they're right — and where to focus when applying.
Contact
- jasminebradbury.com
- jasmineflbradbury@gmail.com
- @jflbradbury
Location
Deptford
Process
Jasmine’s sculptures aim to capture the essence of fleeting emotions while often playing with the inherent contradictions of materials — revealing that life and people are rarely as they seem. Inspired by Carl Jung’s theory of the collective unconscious, particularly the ‘Shadow Self,’ this series explores the importance of embracing both the light and dark aspects of the self.


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Maker stories
Cockpit Edit
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The Cockpit Edit – June 2025
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New Faces: Oct-Dec 2024
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Meet the Maker: Jasmine Bradbury
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Cockpit Edit
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The Cockpit Edit – April 2025
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