Lisa Eldridge Beauty
Production Manager

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Production Manager
Production Manager
Reporting to: Lisa Eldridge
Location: London (with flexibility) Type: Full-time, permanent
The Opportunity
Lisa Eldridge Beauty is a premium beauty brand built on artistry, education, and authentic storytelling. Content is at the heart of everything we do—from long-form YouTube editorials and major campaign shoots, through to weekly social output and performance-driven paid media.
As Production Manager, you will be the operational engine behind all of it. You will own the logistics that make great content possible—scheduling shoots, managing crews, overseeing post-production pipelines, and ensuring assets are delivered on time, to brief, and to the brand’s high standards.
This is a role for someone who is exceptionally organised, calm under pressure, and deeply experienced in managing complex, multi-format production schedules. You will not be the creative lead—that sits with the brand—but you will be the person who makes the creative vision a practical reality.
The Production Landscape
Our content spans four pillars, each with distinct production requirements:
House of Eldridge
Quarterly planning
- Long-form editorial content:
- YouTube series
- Podcast episodes
- Lisa-led tutorials
- Behind-the-scenes storytelling
Brand Content
Quarterly planning
- Campaign shoots
- Product photography
- Model casting
- Packshots
- Texture shots
- Visual merchandising content for retail and e-commerce (Typically the highest production complexity, involving full crews: DOPs, photographers, retouchers, CGI artists, hair, lighting & casting.)
House of Eldridge (Organic Social)
Weekly output
- Shorter-form shoots adapted for TikTok, Instagram, and other platforms (Faster turnaround, lighter crew, but still requiring careful scheduling to maintain brand presence.)
Paid Media
Weekly output
- Performance cutdowns
- Hook variations
- Launch support assets (Primarily an edit and delivery management task, coordinating with social teams and paid media to hit deadlines.)
Reasons to use Rodeo
I’m in my final year doing Economics and I don’t know whether to apply for grad schemes now or do a masters first. What do you think?
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Why you're a good match
StrongYour economics background and your summer at a regional bank line up with what PwC looks for on the consulting scheme. Applications close in four weeks.
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Why you're a good match
You’ve got the grades and the economics background, and your bank internship is exactly the experience this scheme looks for. Apply soon — deadlines close within the month.
Experience fit
Your summer at the bank plus your econometrics coursework map directly to the day-one responsibilities on this scheme — client modelling, market briefings, and deal support.
Only hits
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You will oversee production across all four pillars, supporting existing produces in each area.
What You Will Do
Planning & Scheduling
- Own the monthly production calendar, translating briefs into detailed shoot and edit schedules
- Lead the monthly production meeting, allocating resources across all four pillars
- Manage the weekly alignment process, tracking:
- What is in production
- What is in post-production
- What is going live
- Anticipate bottlenecks and propose proactive solutions
Crew & Supplier Management
- Build and maintain a trusted network of freelance talents:
- DOPs
- Photographers
- Retouchers
- Graders
- CGI artists
- Editors
- Social editors
- Hair & make-up artists
- Brief, contract, and manage all production crew and external suppliers
- Negotiate rates and manage production budgets, tracking spend against agreed budgets
- Ensure all suppliers meet the brand’s quality and aesthetic standards
Shoot Management (Collaborating with Existing In-House Teams)
- Oversee all shoot days end-to-end
- Ensure shoots run on time, to brief, and troubleshoot issues calmly
Post-Production & Asset Delivery
- Manage the post-production pipeline:
- Edit schedules
- Retouching briefs
- Grading
- CGI sign-off
- Final delivery
- Oversee the digital asset management system (ensuring all final assets are:
- Correctly labelled
- Stored efficiently
- Accessible)
- Coordinate asset delivery to:
- Website
- Social teams
- Paid media
- Retail/VM partners
- Track and manage multiple concurrent deadlines without losing focus
Who You Are
You are someone who finds genuine satisfaction in running a tight, well-organised production operation. You love logistics, not just the creativity behind them. When you do your job well, the creative team barely notices the machinery that makes everything run smoothly.
Essential
- Significant experience in a production management role within:
- Fashion
- Beauty
- Luxury
- Closely adjacent creative industries
- Strong track record managing:
- Complex, multi-format shoot schedules
- Post-production pipelines simultaneously
- Experience managing freelance teams across:
- DOPs
- Photographers
- Retouchers
- Editors
- CGI
- Hair & make-up artists
- Confident managing production budgets, with a rigorous approach to:
- Tracking spend
- Flagging variances early
- Exceptionally organised, with:
- Excellent attention to detail
- A methodical approach to scheduling
- Calm and solutions-focused under pressure—a shoot-day problem-solver, not a panic-er
- Strong communicator who can:
- Manage upwards to the Head of Content
- Collaborate across creative, marketing, and external partners


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Highly Desirable
- Experience managing digital asset management systems and content workflows
- Familiarity with:
- Production requirements for e-commerce content:
- Packshots
- Swatches
- PDPs (Product Detail Pages)
- Production requirements for e-commerce content:
- Understanding of:
- Social content production cadences
- Demands of daily platform output
- Experience coordinating:
- Retail and visual merchandising content delivery
How You Will Work
- You will attend the monthly planning meeting, translating the agreed creative plan into a production schedule before the month begins.
- Each Monday, you will run—or contribute to—the weekly alignment meeting, tracking live production across all four pillars.
- Day to day, you will work most closely with the Brand team, the Social/Content Editor, and external production partners.
- You will have a clear mandate to:
- Make production decisions independently within agreed budgets and timelines
- Escalate to the Lisa only when creative or strategic input is needed.
The goal is simple: The creative team should be able to think and create, confident that the production machinery is in safe hands.
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