Ignite Talent Group
Senior Content & Creative Executive

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THE ROLE
You will own the full creative function across every client project and our own brand. That means two things at once: you set the creative strategy, and you make the work.
This is not a role for someone who wants to direct from a distance, and it is not a pure production seat either. Roughly 40% of your week is strategy — researching markets and competitors, building creative angles, planning testing roadmaps with our media buying team. The other 60% is doing — designing static ads, writing scripts, briefing and directing UGC creators, and producing organic content that makes our company impossible to ignore.
You will work directly alongside our senior media buyer. He owns campaign structure and performance; you own the creative inputs that fuel it. Together you are accountable for results.
WHAT YOU'LL DO
Creative strategy (40%)
- Own the creative strategy for every ad account — hooks, angles, formats, and messaging built from real market and competitor research, not guesswork.
- Build and maintain a creative testing roadmap per client with the media buying team, so every new creative has a job to do.
- Review creative performance weekly (hook rate, CTR, thumb-stop, conversion) and feed learnings straight back into the next batch.
- Set and hold the creative standard across the agency — the benchmark is top-tier social-first agencies, and everything we ship should look like it.
Reasons to use Rodeo
I’m in my final year doing Economics and I don’t know whether to apply for grad schemes now or do a masters first. What do you think?
Honest answer — it depends on where you want to end up. A lot of top grad schemes (Big 4, civil service, banking) don’t need a masters. Let’s look at the ones you’d be competitive for now, and we can decide if a masters actually adds anything.
Also worth knowing: most autumn 2026 applications are open now. Timing matters more than you think.
Start with a chat, not a search bar
Grad scheme, placement, apprenticeship? Not sure what you want yet — that's fine. Your agent talks it through with you and turns "I have no idea" into a shortlist.
Graduate Consultant — 2026 Scheme
Why you're a good match
StrongYour economics background and your summer at a regional bank line up with what PwC looks for on the consulting scheme. Applications close in four weeks.
See breakdownIt searches the market for you
Every day your agent scans the market matching roles against what actually matters to you, not just keywords on a CV.
Why you're a good match
You’ve got the grades and the economics background, and your bank internship is exactly the experience this scheme looks for. Apply soon — deadlines close within the month.
Experience fit
Your summer at the bank plus your econometrics coursework map directly to the day-one responsibilities on this scheme — client modelling, market briefings, and deal support.
Only hits
No noise. No "maybe this fits." Just roles with a clear explanation of why they're right — and where to focus when applying.
Hands-on production (60%)
- Design static ad creatives yourself — concept to finished asset, ready to launch.
- Write scripts for video and UGC ads: hooks, structure, CTAs, and shot direction.
- Source, brief, and direct UGC creators/partners — own the relationship end-to-end so content lands on time, on brief, every time.
- Produce and publish organic content for Vision Launch across Instagram and LinkedIn, 3–5 days per week.
- Keep an organised creative library and naming system so assets are easy to find, iterate, and report on.


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WHO YOU ARE
- Hungry. You want to build a creative department around yourself, not inherit one.
- Proven in paid social creative — you can show ads you made and the performance behind them.
- Strong in design tools (e.g. Photoshop, Illustrator, Figma or Canva Pro at speed) and confident cutting short-form video.
- A natural scriptwriter who understands hooks, pacing, and why people stop scrolling.
- Comfortable directing other people — UGC creators, freelancers, clients on a shoot.
- Obsessed with what great looks like: you study the best social-first agencies and brands, and it shows in your work.
- Organised and deadline-driven — 10 creatives a week per client does not happen by accident.
BONUS POINTS
- Experience inside a performance or social-first agency.
- Motion graphics / After Effects skills.
- Experience using AI tools to speed up ideation and production.
- You've grown an organic social account (brand or personal) and can prove it.
“It took my CV and asked me questions relevant to understanding what kind of jobs to suggest for me. Suggestions were almost perfect. Jobs were exactly what I’ve been looking for.”
Jessica, London
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